Baritone Virtuoso Douglas Carpenter, winner of the 2013 Lotte Lenya competition, joined host Robert Hammond to talk about the annual, international competition, that took place Saturday, April 12 at the Eastman School of Music’s Kilbourn Hall. Carpenter discussed his journey to the competition, his repertoire, and what winning has done for his career. He’s currently in the role of Lt. Cable in Paper Mill House’s production of South Pacific, on stage through May 4.
Doug began his career in opera earning a degree in voice from UNLV and a Masters in Vocal Performance from UCLA. Since graduating, Doug originated roles in two Roger Bean productions, as Skip in Life Could Be A Dream (LA Weekly and LA Drama Critics Circle winner) and Curtis in Summer of Love (Musical Theatre West, Ogunquit Playhouse). Regional credits: Lancelot in Camelot (Pasadena Playhouse), Curly in Oklahoma! (Pennsylvania Shakespeare Festival, Fullerton Civic Light Opera), Tony in West Side Story (Fullerton Civic Light Opera), Thief in See What I Wanna See (Blank Theatre), Prince in Cinderella (Civic Light Opera of South Bay Cities), Chris in Miss Saigon (Moonlight Amphitheatre), and Joey in The Most Happy Fella (Dallas Lyric Stage). New York theater: Mr. Darcy in Jane Austen’s Pride and Prejudice at the New York Musical Theatre Festival. Doug is the only singer to win both the American Traditions Competition (2011) and the Lotte Lenya Competition (2013).
In 1998, to honor the centenary of the birth of Lotte Lenya (1898-1981), an extraordinary singer/actress and one of the foremost interpreters of the music of her husband, Kurt Wiell (1900-1950), the Kurt Weill Foundation for Music established an annual Lotte Lenya Competition.
The competition recognizes talented young singer/actors who are dramatically and musically convincing in repertoire ranging from opera/operetta to contemporary Broadway scores, with a focus on the works of Kurt Weill. More than a vocal competition, the Lotte Lenya Competition is a theater singing competition that emphasizes wide-ranging repertoire and the acting of songs and arias within a dramatic context.
Historians of the Broadway musical, from the academy to the piano bar, agree on one thing: the archetypal Broadway star is a woman. Ethel Merman, Mary Martin, Gwen Verdon, Carol Channing—legendary ladies such as these were the bulbs that lit the Great White Way in its golden and silver ages, and they still dominate the mythology of the genre. Back in the day, show-tune aficionados argued the merits of Merman versus Martin; today, one might find similar divisions among partisans of Patti LuPone and Bernadette Peters, or Kristin Chenoweth and Idina Menzel.
Broadway was represented in full-force at this year’s Academy Awards! Although John Travolta decimated the pronunciation of her name, Tony Award winner (Elphaba in Wicked) Idina Menzel, did the Great White Way proud with her performance of “Let It Go” from the movie Frozen. Broadway songwriter (The Book of Mormon, Avenue Q) Robert Lopez not only won his first Academy Award but also became one of only 12 EGOTs — people who have won an Emmy, a Grammy, an Oscar and a Tony. A full Stage Notes recap with host Robert Hammond is just a click away.
It’s an Oscar party on Stage Notes!
After eighty-five Academy Award ceremonies and hundreds of films nominated for Best Motion Picture, only ten of those winning films have been musicals. The American Film Institute defines a “musical” as “a feature-length film in which music and lyrics significantly advance the plot, develop character, or are otherwise integral to the film narrative.”
Join host Robert Hammond as he showcases musicals that have won the coveted Best Motion Picture Oscar.
Television icon Ellen DeGeneres returns to host the Oscars for a second time. The Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre at Hollywood & Highland Center.
The Musical journeys back to her beginnings as a young singer enamored of Ella Fitzgerald, against a backdrop of New York City during the 1960′s. Part “memory play”/ part tribute to Ella, me & ella is both a singer’s coming of age story as well as a musical valentine to the First Lady of Song. Making its world premier at Downstairs Cabaret in Rochester, New York, the musical is directed by Paul Kreppel and Murphy Cross, winners of the Tony Award for Jay Johnson: the Two and Only, and featuring Andrea Frierson, a finalist in Star Search and has appeared on Broadway in, among others, The Lion King, and Once on This Island.
Join host Robert Hammond as he showcases Broadway musicals that have won the Grammy Award for Best Musical Theater Album. He’ll feature songs from numerous musicals that have won, as well as the three that are nominated this year. They are: Kinky Boots, Matilda: The Musical, and Motown The Musical. Kinky Boots won!
Although the name of the award has changed throughout the years, each year since the first Grammy Awards celebration was held in 1959, one Broadway musical has received the Grammy for its original recording. The original Broadway cast recording of The Music Man was the first musical to win. Back then the award was called Best Original Cast Album. As of 2012, the award has been called Best Musical Theater Album, and Last year Once: A New Musical took home the prize.
Ricardo Zohn-Muldoon, Chair of the Composition Department at the Eastman School of Music and Darren Stevenson, Founding Director and Company Member of PUSH Physical Theatre, joined host Robert Hammond to discuss Comala, the scenic cantata by Ricardo Zohn-Muldoon, a finalist for the 2011 Pulitzer Prize in Music.
Correction from broadcast: The performance of Comala at The Eastman School of Music’s Kilbourn Hall is Friday, January 24th at 8 p.m.
Alongside musicians from New York, Boston, Chicago, Atlanta, and Lexington — in addition to current students at the Eastman School of Music — PUSH Physical Theatre performs Comala with music by Mexican-born composer Ricardo Zohn-Muldoon in Rochester on January 24. Alia Musica Pittsburgh and the Eastman BroadBand perform an opening instrumental act featuring two world premieres. The event is the final in a series of touring performances featuring PUSH Physical Theatre’s Comala. This season, the work has been mounted at the Rialto Theatre (Atlanta, GA), the Degollado Theatre (Guadalajara, Mexico), and at the Cervantino Festival (Guanajuato, Mexico).
Based on Pedro Páramo, the celebrated novel by Juan Rulfo, Comala stages scenes from one of the most influential literary works of magical realism. Fulfilling a promise made to his mother Doloritas on her deathbed, Juan Preciado travels to Comala on an errand to meet his father, the powerful patriarch Pedro Páramo. He seeks to claim “what is owed to him”, as Páramo’s legitimate heir. However, upon arriving to Comala he finds a desolate village that bears no resemblance to the idyllic recollections of Doloritas. His encounters with the spirits, murmurs, and memories that now haunt the village, and with two of its only remaining inhabitants, unveils to him the tragic history of the village and his family, but at the cost of his own life.
The event will take place at the Eastman School of Music in Downtown Rochester. The program is produced jointly by Alia Musica, the Eastman School of Music, the Cincinnati College-Conservatory of Music, and the University of Kentucky. The event receives additional support from the The Heinz Endowments and the Center for Latin American Studies at the University of Pittsburgh.
The program opens with a performance by the musicians alone, to include an additional work by professor of composition at Cincinnati College-Conservatory of Music, Michael Friday, and the premiere of two compositions commissioned for the occasion from Pittsburgh composers John Arrigo-Nelson and Federico Garcia.
Comala: the staged cantata by Ricardo Zohn-Muldoon
featuring PUSH Physical Theatre
Tony Arnold, soprano, and Rob Frankenberry, tenor
Federico Garcia, conductor
Friday, January 24, 2014 at 8:00 pm
Kilbourn Hall at the Eastman School of Music (26 Gibbs St.)
$15 general / $10 Eastman students, faculty, and staff with ID
ABOUT THE MUSIC
A finalist for the 2011 Pulitzer Prize in Music, Zohn-Muldoon’s Comala features legendary new-music soprano Tony Arnold with the Pittsburgh-based tenor and polymath Rob Frankenberry. Performers include also University of Kentucky professor, guitarist Dieter Hennings; professors from Georgia State University and members of the Atlanta-based new music ensemble Bent Frequency, percussionist Stuart Gerber and saxophonist Jan Baker; and members of the world-touring Eastman BroadBand, a collective of students and recent graduates of the Eastman School of Music formed in 2007 by Zohn-Muldoon and fellow professor of composition Carlos Sanchez-Gutierrez. This ensemble of musicians will be conducted by Federico Garcia, Artistic Director and conductor of Alia Musica Pittsburgh.
ABOUT THE CAST
PUSH Physical Theatre. Seeing award-winning PUSH Physical Theatre is like watching a live action-movie. This talented group of performers inspires awe with physical illusions and gravity-defying, dance-infused, acrobatic high-jinx. You have NEVER seen anything like this before — it’s cool, it’s athletic, it’s entertaining, it’s impossible to resist. Founded in Rochester, New York in 2000 by husband-and-wife team Darren and Heather Stevenson out of a desire to “push” the boundaries of traditional theatre, the company has performed for theatres, festivals and events in the U.S., England, and Malta. They have been profiled on PBS and NPR. They received the Anton Germano Dance Award from the “Community of Color” and the Artist of the Year Award from the Arts & Cultural Council of Greater Rochester. It’s all about the stories. The narratives of our lives played out with hope, strength and optimism — the strength of the human soul expressed by the power of the human body. PUSH’s repeated sold-out performances have established them as the masters of physical storytelling.
Darren Stevenson, founding director/company member, PUSH Physical Theatre. Darren Stevenson was born and raised in England and studied physical theatre at The Center in St. Louis, MO. He co-created International Expression with his partner and wife Heather Stevenson. They toured the US and England and continued studying with Several Dancers Core in Atlanta, Pilobolus collaborator; Bill Wade in Cleveland and The Goldston & Johnson School for Mimes at Kenyon College. In 1997, the Stevensons founded the Studio School of the Arts. In 2010 Darren was invited to speak about PUSH’s unique artistic process at TEDx. Darren currently serves on the Board of Directors for The Rochester Fringe Festival
Heather Stevenson, founding director/company member PUSH Physical Theatre. Heather Stevenson, a New Jersey native, co-created International Expression with partner and husband Darren Stevenson. In 2000, they founded PUSH Physical Theatre. Heather has been a teaching artist for the Monroe BOCES, Rochester and Buffalo school districts, Young Audiences, New Jersey’s Project Impact and Atypical Entertainment. In 2002, Heather developed PUSH Pins as the children’s division of PUSH and from a week-long pilot program for children ages 5-8, the camp has grown into an annual event.
Tony Arnold, soprano. John Von Rhein of the Chicago Tribune writes “anything sung by soprano Tony Arnold is worth hearing.” Hailed by the New York Times as “a bold and powerful interpreter,” she has gained international acclaim for sparkling and insightful per- formances of the most daunting contemporary scores. In 2001, Ms. Arnold was thrust into the international spotlight when she became the only vocalist ever to be awarded first prize in the Gaudeamus International Interpreters Competition. On the heels of that triumph, she claimed first prize in the 15th Louise D. McMahon International Music Competition. Since that time, Ms. Arnold has established a reputation as a leading specialist in new vocal repertoire, receiving consistent critical accolades for her many recordings, as well as performances with groups such as the International Contemporary Ensemble (ICE), Chicago Symphony Orchestra’s MusicNOW, Los Angeles Philharmonic New Music Group, New York New Music Ensemble, Ensemble 21, eighth blackbird, Contempo, Orchestra of St. Lukes, Boston Modern Orchestra Project, Fulcrum Point, and many others.
Rob Frankenberry, tenor. The Pittsburgh-based tenor, pianist, and conductor Robert Frankenberry was born and raised in Coon Rapids, Minnesota, where both his parents made music. Robert holds a Bachelor’s Degree in Piano Performance from Mercyhurst College and a Master’s Degree in Voice performance from Carnegie Mellon University. His vocal instructors have included Louisa Jonason, John Shirley-Quirk, Judith Natalucci and Diana Walters. At the piano, Robert Frankenberry is a member of the Pittsburgh-based IonSound Project, and has worked in various pianistic capacities for Carnegie Mellon University, Chatham College, the Pittsburgh Opera, Pittsburgh Symphony Orchestra and the Opera Theater of Pittsburgh. As a pianist, he performs both standard and contemporary chamber music and has premiered more than 150 works by living composers. Robert Frankenberry has filled faculty positions at several colleges and universities, most recently as instructor of voice and bassoon and director of orchestral studies at Mercyhurst College. He lives in Lawrenceville and frequently travels for rehearsals and performances across the USA.
Federico Garcia, conductor. Born in Colombia in 1978, Federico Garcia moved to the US in 2001 to pursue graduate studies in Composition and Theory at the University of Pittsburgh. He has been Artistic Director of Alia Musica Pittsburgh since its inauguration in 2007, and is also Music Director of the East Liberty Community Engagement Orchestra and of Ensemble Ripieno. His music has been performed throughout the world, from his native Colombia to Thailand, across the US, and most recently in Bulgaria and Mexico. He has shared stages with new music artists of the stature of Cliff Colnot, Lisa Kaplan, Robert Dick, George Tsontakis, and Ricardo Zohn-Muldoon. His “Passacaglia on a theme by Bach” won first prize in the Colombian composition competition for symphony orchestra in 2001, and is recorded in the 2013 album “Orchestral Masterworks” of ABLAZE Records.
Ricardo Zohn-Muldoon, composer. Ricardo Zohn-Muldoon is Chair of the Composition Department at the Eastman School of Music, Zohn-Muldoon has in the past held positions at the University of Cincinnati College-Conservatory of Music and the University of Guanajuato. Zohn-Muldoon’s honors include fellowships from the Guggenheim Foundation, Tanglewood Music Center (Omar del Carlo Foundation), Camargo Foundation, Endowment for Culture and the Arts of Mexico, a Mozart Medal from the Embassy of Austria in México, and commissions from the Fromm Foundation, Meet the Composer, the Barlow Foundation, and the US / Mexico Fund for Culture.