Join Host Robert Hammond (full program below) as he examines how religion influences musical theatre. The Book of Mormon is one of Broadway’s biggest box-office hits – recently there have been revivals of Christian-themed musicals — Godspell and Jesus Christ Superstar. The revival of the revival of the revival (well, you get the picture!) of Les Miserables is still open on the Great White Way! The current revival closes in September. Among others, Fiddler on the Roof and Spring Awakening are steeped with religious undertones. It’s probably fair to say that the theater has seen the way of the Lord. Has someone been putting sacrament in the water? Or have playwrights just gotten in touch with their devout or devoutly satirical sides?
Today’s Stage Notes was prerecorded. If you read this and then go to the second and final performance of Broadway Rocks, the first Pops concert music director Ward Stare has conducted in Rochester, you’ll think I was a bit hyperbolic. Don’t get me wrong, the Rochester Philharmonic Orchestra was fantastic, especially the rhythm section, which is vitally important to a concert like Broadway Rocks, but overall the concert fell flat. I had higher expectations.
The main problem could have been the sound, particularly during the first act – it was muffled. From the Loge, I could barely hear the guest soloists and the choir from Roberts Wesleyan College.
The repertoire was outstanding—some of the biggest Broadway hits, including songs from Wicked, Hairspray, Jersey Boys, and The Phantom of the Opera were performed.
Before the concert, I knew little about Capathia Jenkins. She is all that and more! She brought down the house with her renditions of “And I’m Telling You I’m not Going” from Dreamgirls and “I will Survive.” She and the RPO are what make this concert worth attending.
Another guest vocalist, Rob Evan, could have survived without amplification. His highlights were Dennis DeYoung’s (lead singer from Styx) song “Come Sail Away” and “The Music of the Night,” from The Phantom of The Opera. His voice is strong; however, he could use a stylist.
I’ve seen guest vocalist Christiane Noll on Broadway and at Eastman. In general, I’ve been impressed. This concert is not suited for her. She seemed uncomfortable on stage. That’s not dancing, Sally! (Seinfeld reference.) She decimated a song that should have elevated the concert, “Defying Gravity.” Although the choir would have drowned her vocals out, I’m not sure why they weren’t included at the songs conclusion to proclaim “no one mourns the wicked.” Noll’s voice is pretty, as proved during the Theme from The Phantom of The Opera, but she’s no rocker.
Ward Stare’s forte is Classical conducting – last night he proved he’s a Pops pro, too. Rochester is lucky to have him. Please let me know when he conducts the RPO and the Capathia Jenkins show. I’ll be there.
Broadway Rocks is on stage in Kodak Hall at Eastman Theatre tonight at 8 PM. Tickets and information at RPO.org.
Maestro Wards Stare, Rochester Philharmonic Orchestra’s music director, joined host Robert Hammond in studio at WXXI to talk about the RPO’s upcoming concerts, Broadway Rocks. Stage Notes did indeed rock out with songs from Wicked, Rent, The Phantom of the Opera,Hairspray, and more. Full program available on demand below.
Stare is likable and knowledgeable. You’ll enjoy the lightness of the conversation, especially the life stories he shares. His story about the famous Styx song “Come Sail Away” is a highlight. Sit back and listen to a special rockin’ edition of Stage Notes. Remember to follow Stage notes on Twitter @stagenotes, and like our page on Facebook.
It’s the most wonderful time of the year, and Stage Notes is celebrating the season with some of your favorite Broadway-themed holiday songs! Among many others, songs from Irving Berlin’s White Christmas, Idina Menzel’s new holiday CD, and Christmas at Downton Abbey are featured. Full program below. Be sure to Follow Robert on Twitter @stagenotes.
Follow Stage Notes on Twitter @stagenotes. Now, on with the show…
Is The Great White Way Gay?
A good friend of mine was in a lead role in a blockbuster musical on Broadway. After the Saturday evening performance, it was customary for the cast and crew to chill out at what they called “their place.” Since I was a frequent attendee, I became an honoree part of the group. On one such night, I asked my friend “is —- gay.” He responded: “Robert, on Broadway you don’t ask if a person is gay, you ask if they’re straight.”
For certain, I knew about the stereotypes and flamboyancy that often surrounds theatre people, but I had not developed such a hard core syllogism: If you’re in theatre you must be gay. I don’t believe that. However, I do believe that the theatre is a safe haven for many LGBT people, especially gay men.
I was thrilled that Dr. Allan O’Grady Cuseo joined me on this important edition of Stage Notes. Broadcast date June 21, 2014. Take time to read his impressive bio:
Dr. Allan O’GradyCuseo earned his Ph.D. from Columbia University in 1988. He also holds a Masters in Library Science from SUNY/Geneseo and a BS in Education from SUNY/GENESEO. He holds a Master of Theology from St. Bernard’s College of Theology and Ministry plus a certificate in Scriptural Studies from Education for Ministry from Sewanee. He holds a certificate in Irish Theatre from the University College, Galway Ireland.
Dr. Cuseo was Building Leader for Library Services at Greece Arcadia High School and was instrumental in establishing the Project Pride, a student teaching, program there. He was on the adjunct faculty of Nazareth College of Rochester for over 25 years and 10 years for the School of Library Science at UB/SUNY’s School of Information and Library Science. He was on the adjunct faculty of the now closed Graduate School of Information and Library Science, SUNY/GENESEO. Allan resigned as Director of Library Services for Bishop Kearney High School in June 2009. He is currently General Manager of the Rochester Association of Performing Arts/Main Street (RAPA).
As a member of the American Library Association he has served as chairperson for the Outstanding Books for College Bound (Fine Arts) Revision Committee and has been a member of the Outstanding Books for College Bound (Fiction) Committee and the School Library Journal/Young Adult Services Division Committee to choose the Young Adult Author of the Year Award. He was awarded a position on the Best Books for Young Adults, one of 15 librarians nationwide so honored. He was the Chair of the Religion Committee for the Popular Paperbacks for Young Adults Committee of the Young Adult Services Association of the American Library Association. He also was Chair of Books That Don’t Make you Blush for the same committee. He recently resigned as a major book reviewer for Catholic Library World magazine.
For his volunteer work with the City of Rochester PAC-TAC program he has been awarded merit honors for his service as Security chairperson for the Corn Hill Neighbors Association (CHNA). He served on the Board of Directors of CHNA and on the Corn Hill Arts Festival Executive Board. He has been the Chairperson of Security for the famous Corn Hill Arts Festival for 26 years.
He was President of Blackfriars Theatre of Rochester, New York, having served as President of the Board of Directors for over 40 years. For 7 years he was President of the Rochester City Ballet, the city’s only professional ballet company. He has served on the Planning Committee for the Right-On Summer School for the Church of St. Luke and St. Simon Cyrene, Chairperson of the Evangelism Committee, Co-chairperson of the Ambassadors ministry, and a member of the Christian Education Committee. He was on the church’s vestry and serves as a delegate for the Episcopal Diocese of Rochester. He was a member of the planning committee for the Lay School of Theology (Colgate Rochester Divinity School/Wellspring.
Dr. Cuseo has lectured and offered over 200 workshops nationwide for the New York Library Association and the American Library Association. Allan O’Grady Cuseo, PhD has a Doctorate in Literary Analysis from Columbia University. Formerly a librarian for the Greece Central School District, Dr. Cuseo retired June 2009 as Director of Library Services for Bishop Kearney High School.
He began his theatre career as a young teen with the Rochester Community Players and Catholic Theatre of Rochester (later renamed Blackfriars Theatre). He was the co-founder of the Rochester Repertory Company and starred in over 200 children and adult productions. The company specialized in children’s shows and performances for shut-ins in the community.
He is currently Managing Director of the Greater Rochester Repertories Companies (GRRC) and has directed Agatha Christie’s The Mousetrap twice for them for which the Theatre Association of New York (TANYS) awarded him an Outstanding Director designation. For GRRC’s production of Love Letters he received an award from TANYS for Excellence in Acting.
Professionally in New York City he was a member of the Jewish Theatre for Children and also performed in Macy’s Christmas shows. He did summer stock at the famous Theatre-by-the-Sea in Matunuk, Rhode Island. He has worked on tour, both on-stage and technically, with Debbie Reynolds, Imogene Coca, Judy Garland, Kim Hunter, Patrice Munsel, Patty Duke, John Astin, Godfrey Cambridge, Hans Conried, Lou Jacobi, and Jane Connell.
It has been estimated that he has been in over 400 theatre productions. In a review in Rochester’s Democrat and Chronicle it was said of Allan that “he has the most perfect comedy timing of anyone in Rochester Theatre.” Another review stated, “he walks on stage and the audience immediately loves him. He is pure magic on stage.”
Allan is a vowed religious brother of the Mercy of God Community, known as Br. Allan. In 2011 he was ordained by Open Ministry.
In recognition of Women’s History Month, host Robert Hammond showcased some of Broadway’s greatest divas.
Listen
Historians of the Broadway musical, from the academy to the piano bar, agree on one thing: the archetypal Broadway star is a woman. Ethel Merman, Mary Martin, Gwen Verdon, Carol Channing—legendary ladies such as these were the bulbs that lit the Great White Way in its golden and silver ages, and they still dominate the mythology of the genre. Back in the day, show-tune aficionados argued the merits of Merman versus Martin; today, one might find similar divisions among partisans of Patti LuPone and Bernadette Peters, or Kristin Chenoweth and Idina Menzel.
Click above to listen to the entire program – Aired 11/2/13
David Burnham
Last seen in the Broadway production of Wicked in the role of Fiyero, David Burnham was also an integral part of the musical when it was merely an idea in Stephen Schwartz’s mind. He originated the same role in the pre-Broadway developmental workshops.
Other Broadway credits include Fabrizio Naccarelli in The Light in the Piazza. While in The Light in the Piazza, he performed on the Tony Awards and the PBS telecast Live From Lincoln Center. From Broadway, he went on to play the same role in the national Broadway tour of The Light in the Piazza, for which he received the Helen Hayes and Garland Awards for best actor.
After a two-year search, Burnham replaced Donny Osmond in the role of Joseph in Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat (Dramalogue Award). He toured nationally in Jesus Christ Superstar as Peter. In 2012, he starred in the Off-Broadway production of The Best Is Yet to Come: the Music Of Cy Coleman. He was the voice of the Prince in the animated movie of The King and I, produced by Warner Bros.He can be heard on Ghepetto and Home on the Range soundtracks.
Burnham performs with symphonies worldwide, and each summer he hosts Camp Sing, a music program for young artists. His self-titled CD and sophomore project, One Day, are available wherever fine music is sold. Information available at davidburnham.com.
Click above to hear Act 2 with Matthew Morrison– Aired 7/13/13
It hasn’t been a gleeful week. Glee star Cory Monteith died at the age of 31. In conjunction with fellow Glee star Matthew Morrison’s concert with the Rochester Philharmonic Orchestra on Saturday, July 20, Robert Hammond will pay tribute to Cory Monteith.
Among others, Fiddler on the Roof and Spring Awakening are steeped with religious undertones. It’s probably fair to say that the theater has seen the way of the Lord. Has someone been putting sacrament in the water? Or have playwrights just gotten in touch with their devout or devoutly satirical sides?
Stage Notes Show 